“The Los Angeles Times” ranks Ennio Morricone’s ten greatest film scores
Randall Roberts of The Los Angeles Times writes, “Serving as sort of whimsical, opinionated Greek chorus — one that could turn dark and sinister in a flash — his work played a co-starring role.” (Image Courtesy: The Los Angeles Times).
Ennio Morricone died yesterday in Rome at ninety-one years old, according to The Los Angeles Times. Staff writer Randall Roberts describes him as not only “the most important film composer of the twentieth century,” but “also the busiest.” Roberts lists his top ten scores as: Sergio Leone’s Trilogia del dollaro; Gillo Pontecorvo’s La battaglia di Algeri (1966); Sergio Sollima’s La resa dei conti (1968); Dario Argento’s Il gatto a nove code (1971); Bernardo Bertolucci’s Novecento (1976); Terrence Malick’s Days of Heaven (1978); John Carpenter’s The Thing (1982); Roland Joffé’s The Mission (1986); Brian De Palma’s The Untouchables (1987); and Quentin Tarantino’s The H8teful Eight (2015).
Jack of all trades, MA, in multimedia content creation and marketing. I'm developing my blog site, Suspension of Disbelief, into a collection of daily short-form news posts about the industry and craft of writing to draw in literary artists with my words, then commune with them through flash essays essays where I explore my Warholian theory of aestheticizing our broken world through creative nonfiction. Please check out the links to my social channels for deep readings into each genre (fiction, nonfiction, drama, and poetry), while I showcase the critical skillset I cultivated from studying journalism and film theory at Colorado State University Fort Collins, in addition to professional creative nonfiction at the University of Denver.
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