“The Guardian” takes a look back at Brian De Palma’s “Dressed to Kill” (1980)

The Guardian critic Erik Morse was twelve years old when he saw a heavily edited version of Brian De Palma’s Dressed to Kill (1980) for the first time on late-night television. According to Morse, in the decade before the film started appearing regularly on cable as well as video rentals, the Italian “giallo,” the genre from which De Palma borrows most heavily, had been followed up by low-budget slashers and erotic thrillers. Morse writes, “Dressed to Kill’s kaleidoscopic atmosphere – its watery, soft-focus lens, garish colour palette and flashy, optical tricks such as slow-motion, mirrored surfaces, split screens and dioptres – was a feast for my languorous, pre-teen senses.”

Author: Hunter Goddard

A jack of all trades, Master of Arts, in multimedia content creation and marketing. I'm developing my blog site, Suspension of Disbelief, into a collection of daily short-form news posts about the industry and craft of writing as well as flash essays where I leave the world a more beautiful place than I found it, with a talent for creative nonfiction where other artists wield a paintbrush or a musical instrument instead. Here, you will find the facts of life aestheticized into the plot points of your next favorite dramatic narrative.

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