The making of Danny Boyle’s “Yesterday” (2019)

Danny Boyle’s Beatles jukebox musical, Yesterday (2019), originally began as a screenplay titled Cover Version by Jack Barth and Mackenzie Crook, with Crook slated to direct, according to The New York Times. After approaching executive producer Nick Angel for his connections in the music industry, Angel asked Richard Curtis, writer of Mike Newell’s Four Weddings and a Funeral (1994) and his own Love Actually (2003), to rewrite the script, sharing a story credit with Barth. Curtis’s production deal at Working Title and Universal got Boyle involved, and Apple Corps and Sony/ATV Music Publishing, the copyright holders behind most of the band’s discography, were persuaded the film would be prestigious and lucrative enough to share the rights.

Author: Hunter Goddard

A jack of all trades, Master of Arts, in multimedia content creation and marketing. I'm developing my blog site, Suspension of Disbelief, into a collection of daily short-form news posts about the industry and craft of writing as well as flash essays where I leave the world a more beautiful place than I found it, with a talent for creative nonfiction where other artists wield a paintbrush or a musical instrument instead. Here, you will find the facts of life aestheticized into the plot points of your next favorite dramatic narrative.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: